If you are bored or looking for a relatively simple siren circuit, we suggest checking out this DIY police siren circuit. With a flick of a switch, you can switch between a security alarm-style siren and an emergency- or police-style siren.

Another feature of this circuit is that it does not require any integrated circuits (ICs), only transistors and other common components. Furthermore, this police siren circuit can be powered by either a 9V pocket battery or a larger 12V battery.
In this article, we will cover the siren circuit’s functions, how it works, and how we built it. But first, let’s start with what we want out of this circuit — its features, we could say.
- Generate a security alarm siren (beep-beep-beep)
- Generate a siren that reasonably resembles a police siren (not a perfect replica).
- Low power consumption; drive a small 0.25W 8Ω speaker.
- Use a 9V or 12V battery as a power supply.
- Does not use any ICs — only transistors.
Designing the Police Siren Circuit
Now that we have a general idea of the features of our police siren circuit, let’s work out what the actual circuit should be. We will start by cobbling up a simple block diagram, and then we will continue from there.

The simple block diagram above illustrates circuits or parts we need to build the main police siren circuit. Think of them as puzzle pieces; we just need to figure out which pieces are which and how they all go together.
Functional Overview
At a high level, the circuit consists of four main sections:
- Power Selection – Allows the circuit to run from either a 9 V or 12 V battery.
- Audio Signal Generator – Creates the basic siren waveform using transistor-based oscillators.
- Amplifier Stage – Boosts the signal so it can drive a small speaker.
- Speaker Output – Converts the amplified signal into sound.
The heart of the design is the audio signal generator. By shaping and modulating simple transistor oscillators, the circuit produces a recognizable siren effect without relying on specialized ICs.
Creating the Siren Audio Signal
The first thing we need is a base audio tone — a simple, steady sound that we can later shape into a siren. Think of it as a blank slate.
Since sirens rely on a sharp, piercing tone, this base signal needs to be relatively high in pitch. To create that, we start with a simple high-frequency signal generator.
High-Frequency Signal Generator Circuit
To generate the base tone, we use a simple BJT astable multivibrator, shown in Figure 2. This circuit produces a steady, high-pitched square-wave signal.
When connected to a speaker, it creates a constant sharp tone — exactly what we need as a starting point. However, on its own, this sound is too plain to resemble a siren.

However, as obvious as it is, a constant high pitch would not work very well as a siren.
A constant high-pitched tone alone does not sound like a siren. What gives a siren its character is the slow rise and fall of the sound.
To create this effect, we need a second signal — one that changes much more slowly.
Low-Frequency Signal Generator Circuit

This second circuit is another BJT astable multivibrator, but this time it runs much more slowly. Instead of producing an audible tone, it generates a control signal that changes over time.
By itself, this signal is not meant to be heard. Its role is to shape how the main audio tone turns on and off, creating the sweeping effect associated with sirens.
Notice that the output of this circuit looks more like a short pulse than a clean square wave. This is intentional.
The LED placed in the circuit slightly loads the output, shortening the “on” time of the signal. This pulse-like behavior works better for simulating a siren effect.
Combining the Two Signals Together
With both the high-frequency tone and the low-frequency control signal ready, the next step is to combine them.
The low-frequency signal is used to influence how the high-frequency generator behaves. As this slow signal changes state, it alters the operating conditions of the high-frequency circuit, causing the audio pitch to change over time.
At a signal level, what we are doing here is simply changing the pitch of the sound over time. The slow signal controls when the pitch rises and when it falls, which is the key characteristic of a siren.
Before Capacitor C4
At this stage, the circuit produces a simple repeating beep. While functional, the transitions between tones are very abrupt, making the sound feel mechanical rather than siren-like.
Adding Capacitor C4
To smooth out the sound, we add a capacitor in parallel with part of the combining network.
This capacitor slows down how quickly the pitch changes. Instead of jumping instantly from high to low, the tone now sweeps downward more gradually before snapping back up again. This subtle change makes a surprisingly large difference in how the siren sounds.
With this small addition, the output changes from a simple beeping sound into something much closer to a police-style siren.
The sound now rises quickly and then falls smoothly, repeating a few times per second. If you want to fine-tune the effect, adjusting the capacitor value will change how fast or slow the pitch drops.
This section focuses on the overall signal interaction. Detailed signal theory, waveforms, and component-level behavior are covered in the full write-up for supporters.
The Power Supply and Speaker
With the siren generator complete, we add a simple power supply and speaker so the circuit can produce audible sound.
The power section is straightforward. A selector switch allows the circuit to run from either a 9V or 12V battery, while a second switch serves as the main on/off control. A small capacitor helps keep the supply stable during operation.
For sound output, we use a small 8Ω speaker driven by a simple transistor amplifier. This stage boosts the siren signal enough to be clearly audible without adding much complexity.
An audio transformer is used here, but alternative solutions are also possible if the transformer is not available.
The Completed Police Siren Circuit
Figure above shows the complete transistor-based police siren circuit. While it may look complex at first glance, each section serves a clear purpose.
A voltage selector chooses between 9V and 12V operation, a main power switch turns the circuit on or off, and a third switch selects between two siren styles by enabling or disabling the smoothing capacitor.
The switches perform the following functions:
- S1 selects the supply voltage (9V or 12V).
- S2 acts as the main power switch.
- S3 selects between the alarm-style and police-style siren.
Testing the circuit
The circuit can be assembled on a perforated or universal board without difficulty. Once built, it operates as expected, producing both alarm-style and police-style siren sounds.
Measured waveforms match the intended behavior shown earlier, confirming correct operation.

Parts List
Resistors ¼W +-5%
R1, R4, R7, R10: 1K
R2, R3, R8, R9: 56K
R5: 2.2K
R6: 560 ohms
R11: 4.7K
R12: 50 ohms
Transistors
Q1-Q5: 2SC458 or similar (2SC1815 or 2SC828)
Polyester Capacitors 50V
C5, C6: 0.0047uF 50V
Electrolytic capacitors
C1: 220uF 16V
C2, C3: 3.3uF 16V
C4: 33uF 16V
T1: TO-601, Output audio transformer
S1, S3: SPDT- Single-pole, Double-throw switch
S2: Normally toggle pushbutton
Others
LED, speaker 8 ohms, PCB, universal box (casing).
Note:
T1 is a small audio output transformer. It can be found on Amazon.com or other large electronics suppliers.
Increase the Sound Volume with a Darlington Transistor — No Transformer
If the audio transformer is not readily available, the speaker output stage can also be implemented using a Darlington transistor pair.

In this configuration, two transistors work together to provide higher output drive, allowing the speaker to be connected directly without a transformer. Compared to the transformer-based version, this setup produces a noticeably louder output.
Note: We have not tested this transistor version of the circuit because we do not have a large enough speaker. Also, we do not recommend using a loud siren in a residential home, as it might disturb your neighbors.
📕 Learn More About This Siren Circuit
This article focuses on the overall concept and signal flow. The full version includes step-by-step design reasoning, tuning ideas, and high-resolution schematics in a clean, ad-free PDF format.
If you find this project useful and would like to support our work, you can access the complete material on Patreon.Hello. I’m Chayapol, but I could also go by Aot. I write and draw illustrations for ElecCircuit.com.
I usually cover articles related to digital electronics, logic, or basic principles or ideas on the site.
c547 ar poriborte ki use kora jai?
please describe ” T1: TO-601, Output audio transformer ” in the ” American & Hong Kong Police siren circuit using transistors “. I search the world but not find it
which transistor is replace to c547
please describe ” T1: TO-601, Output audio transformer ” in the ” American & Hong Kong Police siren circuit using transistors “. I search the world but not find it
Please describe the Transformer specs shown in Figure 3. thanks…
please describe ” T1: TO-601, Output audio transformer ” in the ” American & Hong Kong Police siren circuit using transistors “. I search the world but not find it
Where are the real schematics for electronics I can’t find any can you help me Please i don’t trust too many schematics now days they don’t seem that they work 210-309-2078
Hi Anthony Leija,
Thanks for your feedback.
Please look at : https://www.eleccircuit.com/simple-siren-by-2n2907-transistor/
and
https://www.eleccircuit.com/tag/alarm-system-siren/
How c2 is working ??
hi dear its very nice and helpful blog thanks for shairing
please describe ” T1: TO-601, Output audio transformer ” in the ” American & Hong Kong Police siren circuit using transistors “. I search the world but not find it
please help
Hi Anthon black
It is small audio transformer. If you live in the USA. You try to buy on Amazon. It may work well.
Thanks
Apichet
THANK YOU. but I`m not in us. if you have a better description code please share it!
You may be able to find old AM radios in the recycling shop. This transformer always on this radio.
This transformer is OT-601,right? not TO-601
Hi Tome
Yes, you are right. I am sorry for the mistakes.
if I use a 1% tolerance resistor for the ambulance circuit it does not make a problem?
Oh..It is good. It is better than 5% resistors.
hello again and sorry from my infinite questions and your helps too. but I need more information about OT-601. Like the voltage and mA that the transformer can resist
Hi, Anthon black
It’s okay. Do not be afraid. Sometimes I might answer (comment) too late, you might have to wait, I’m sorry.
I measured the resistance of the OT-601 transformer. The output is 8 ohms and 2 ohms for the input.
hello again. in the picture of hong kong and USA police siren, you say 2.2k resistor for R5 but in the component list, it is 22k. which one is true?
Hi, again
Oh…I am sorry. It is wrong. The R5 is 2.2K.
Thanks
Have a good day.
The audio output transformer impedance is 1300:8. What is the number of turns for each side if I’m going to wind my own?
I thank you for visiting our website. But I am quite feeling bad that cannot tell you, the number of turns of copper wire that can be wrapped around a small transformer. However, I admire you for making it yourself. It is an interesting science learning activity. In the future, I might teach my daughter how to wind up a transformer herself like you.
I wound mine on the core of an old mains transformer, core dimensions are 3.5cm x 3cm x 1.5cm, primary winding 2×300 turns, secondary 50 turns for an 8 ohm speaker, works like a charm in a class A audio amp…
The wire thickness is 0.2 mm for the primary winding, 0.4 mm for the secondary winding.
The audio transformer must have an air gap, the E sheets are placed on one side and the I sheets on the other, place a thin sheet of paper between the E and I sides.
I hope that helped, greetings…
Hi Egon Merle,
Thank you very much for sharing your experience. Your details about the core size, wire thickness, and the air-gap technique are very helpful. This information makes the transformer design much clearer. I really appreciate your time and knowledge.
Best,
Apichet
Hi Apichet
Im glad this topic is still active, I forgot to mention that the primary is wound bifilar, 300 turns, this means that two wires are wound simultaneously on the transformer coil former, the beginning of one wire is connected to the end of the other – this is the middle tap.
By the way, I assembled 2 of your transistor preamplifiers, FET preamplifier connected to a regular single-transistor preamplifier, it works like a charm also…
Greetings
Egon
Hi Egon,
Thank you for the clarification — that is a very good point about the bifilar winding and the way the center tap is formed. I appreciate you taking the time to add that detail.
I am also really glad to hear that the FET preamplifier paired with the single-transistor stage worked well for you. It is always nice to know these simple combinations behave as expected in real builds.
Thanks again for sharing your experience.
Best regards,
Apichet,